ENKOR provides you with the unique opportunity to get heard and recognized by hundreds of professionals and influential people in the music industry. We are the only one competition with a Jury Board consisting of 500+ members from 70+ countries on 6 continents!
Another advantage is the transparency. Our adjudication system and the number of judges is a guarantee that the level of proficiency and artistry can be ranked with maximum accuracy and eliminate the risk for positive or negative prejudice or underhand stipulations.
WHAT PEOPLE SAY
This is a great opportunity for young musicians around the world.
- Kristhyan Benitez
Read more testimonials
THE COMPETITION
ENKOR covers all major categories:
- for classical instrumentalists: piano, violin, viola, cello, double bass, harp, classical guitar, woodwinds, brass, and percussion
- for singers: solo singers (opera, art song, and musical theater), vocal ensembles, and choirs
- for chamber ensembles: from duo to octet
HOW TO APPLY
Apply in 3 easy steps
PRIZE WINNERSTHE JURY
In February 2016 we passed a major milestone:
500+ members from 70+ countries on 6 continents!
Jury Member № 500
Eduardo Andrés Ihidoype
He is a manager in the Education Ministery of the City of Buenos Aires and clarinetist with the Buenos Aires Philharmonic Orchestra in Argentina.
The ENKOR Jury Board has been renamed to
International Academy of Performing Arts and Sciences (IAPAS)
The Academy consists of
Eduardo Andrés Ihidoype
He is a manager in the Education Ministery of the City of Buenos Aires and clarinetist with the Buenos Aires Philharmonic Orchestra in Argentina.
The ENKOR Jury Board has been renamed to
International Academy of Performing Arts and Sciences (IAPAS)
The Academy consists of
- renowned personalities and rising stars, soloists and award-winning recording artists, judges at major competitions, orchestra and chamber musicians, singers, conductors, composers, arrangers, and orchestrators;
- professors, lecturers, cultural ambassadors, owners of private music academies, advisors, musicologists, and researchers;
- C-level executives at festivals, record labels, artist management agencies, makers and dealers of musical instruments, IP rights management organizations, associations, cultural institutions, expositions, foundations, and social initiatives;
- magazine publishers, founders of music news websites, journalists, radio hosts, producers, and book authors.
Read more
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